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Brian W. MusicFan
Joined: 13 October 2004 Location: United States
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Posted: 03 May 2008 at 10:48pm | IP Logged
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cmmmbase wrote:
for whatever it's worth, the TM Century hit disc (715 - pre "A" disc/ "B" disc etc) from 1987 had the full length version of "Spotlight" on it. |
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Interesting... what's the running time of the track, do you know?
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cmmmbase MusicFan
Joined: 04 May 2006 Location: United States
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Posted: 03 May 2008 at 10:50pm | IP Logged
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it runs 4:52 on the TM Century disc...
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Brian W. MusicFan
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Posted: 03 May 2008 at 11:01pm | IP Logged
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cmmmbase wrote:
it runs 4:52 on the TM Century disc... |
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Hmm, well, it's not the full-length "unsegued" version, then. That would run over 6 1/2 minutes. I wonder if they did their own edit? They couldn't have just faded the long version early, because the 4:50 mark is in the middle of a verse.
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cmmmbase MusicFan
Joined: 04 May 2006 Location: United States
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Posted: 03 May 2008 at 11:37pm | IP Logged
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ooops - forgot that the original was that long. They must have done a custom edit as the last vocal was at the 4:40 mark on this version....
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chendagam MusicFan
Joined: 27 August 2006 Location: United States
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Posted: 11 April 2009 at 7:25pm | IP Logged
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Can someone post the edit points for Lucky Star, Holiday, Burning Up, and Physical Attraction?
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Nick2341 MusicFan
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Posted: 12 April 2009 at 7:07pm | IP Logged
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“LUCKY STAR” 3:51
• Cut 8 seconds at 0:14, making your edit point on the bass drum.
• Remove 2:19 to 2:35.
• Cut 3:41 to 3:57 both on the bass drum & first beat of the measure.
• Fade starts at 3:34 and goes to 3:51.
“HOLIDAY” 4:06
• Cut off the ending from 5:53 to the end on the word “together.”
• Create a nice bell-curve fade out from 5:39 to the end.
• Cut 4:58 to 5:15 right before the word “holiday” on the snare drum hit.
• Cut 4:00 to 4:41 on the snare drum hit before the word “holiday.”
• Cut 2:33 to 2:41 on the snare drum and keyboard riff.
• Cut 2:10 to 2:27 with your edit points on the snare before the word “it.”
• Cut 0:24 to 0:41 before the snare hit & keyboard riff.
• Cut everything before 0:08. The song stars on the fourth beat of a
measure right where the keyboard hook comes in.
“BURNING UP” (Remix Edit) 3:52
• Cut 2:19 and 2:33 on the synth stab.
• Fade 3:37 to 3:52 with a bell curve.
These three were taken from a previous thread here. Physical Attraction
was a slight remix, but there's another straightforward edit of the LP mix
on another '45.
“PHYSICAL ATTRACTION” (LP Edit) 3:31
• Cut 0:09 - 0:25 seconds on synth stab.
• Cut 1:54 - 2:10
• Cut 2:42 – 3:18 on first measure of breakdown to the synth stab before
the “rap” comes in.
• Cut 2:54 - 3:10 on the word “say.”
• Fade from 3:16 on the word “ooh” to the middle between 3:31 and 3:32
with a bell curve.
Edited by Nick2341 on 13 April 2009 at 4:37pm
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chendagam MusicFan
Joined: 27 August 2006 Location: United States
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Posted: 13 April 2009 at 7:07am | IP Logged
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Thank you so much. Can you explain more about this "bell curve." I'm assuming it means that it's not a 45 degree slope. What software does this?
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aaronk Admin Group
Joined: 16 January 2005 Location: United States
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Posted: 13 April 2009 at 2:48pm | IP Logged
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chendagam wrote:
Can you explain more about this "bell curve." I'm assuming it means that it's not a 45 degree slope. What software does this? |
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Most fadeouts have a bell curve slope to them, rather than a straight slope. Cool Edit Pro has a "bell curve" setting under the "Envelope" dialog box. I generally always do these manually, though. Here is my secret to creating great sounding fades using percentages:
- Leave about a half second of extra audio.
- Select the start and end points of your fade.
- Fade from 100% to 0%
- Fade again from 100% to 7%
- Fade one more time from 100% to 11%
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aaronk Admin Group
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Posted: 13 April 2009 at 2:50pm | IP Logged
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Nick2341 wrote:
“HOLIDAY” 4:06
• Cut off the ending from 5:53 to the end on the word “together.”
• Create a nice bell-curve fade out from 5:39 to the end.
• Cut 4:58 to 5:15 right before the word “holiday” on the snare drum hit.
• Cut 4:00 to 4:41 on the snare drum hit before the word “holiday.”
• Cut 2:33 to 2:41 on the snare drum and keyboard riff.
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Hmmm, the intro is definitely edited from the very beginning of the LP version to where the "string-like" keyboard synth comes in. I don't see a mention of that edit point.
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Nick2341 MusicFan
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Posted: 13 April 2009 at 3:24pm | IP Logged
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Good catch Aaron. Must have accidentally deleted that part when I was
editing some of the words. I'll fix that!
EDIT: Fixed the directions.
Edited by Nick2341 on 13 April 2009 at 4:37pm
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chendagam MusicFan
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Posted: 13 April 2009 at 3:55pm | IP Logged
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Nice secret Aaron! I'll give it a try. ....I like the manual way better...much cleaner fade. Thanks! I have been wanting to know how to do this for years.
Edited by chendagam on 13 April 2009 at 4:08pm
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Brian W. MusicFan
Joined: 13 October 2004 Location: United States
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Posted: 14 April 2009 at 9:41am | IP Logged
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aaronk wrote:
Most fadeouts have a bell curve slope to them, rather than a straight slope. Cool Edit Pro has a "bell curve" setting under the "Envelope" dialog box. I generally always do these manually, though. Here is my secret to creating great sounding fades using percentages:
- Leave about a half second of extra audio.
- Select the start and end points of your fade.
- Fade from 100% to 0%
- Fade again from 100% to 7%
- Fade one more time from 100% to 11% |
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I haven't tried using the Envelope box in Cool Edit Pro. I'm so used to using Magix that I normally just use that for my fades.
To match a fade, I always load the waveform for the 45 and the waveform for my custom edit in the audio editor, one atop the other, and visually match the 45's fadeout using the "draw volume curve" tool in Magix. When they look the same, I listen and A/B them repeatedly, tweaking this and that. I'm ridiculously obsessive about it.
Edited by Brian W. on 14 April 2009 at 6:04pm
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crapfromthepast MusicFan
Joined: 14 September 2006 Location: United States
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Posted: 14 April 2009 at 10:00am | IP Logged
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In Cool Edit Pro, once I've highlighted the portion to be faded (16 beats, 32 beats, etc.), I usually use Edit > Crossfade > Sinusoidal.
I realize that's probably not close enough for many of you fade-shape sticklers, but for radio work, it's nice to have the fade begin on a downbeat and last for a multiple of 8 beats. In my experience with the '70s/'80s/'90s tracks, most of the fades are within a beat or two of the multiple-of-8 anyway.
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chendagam MusicFan
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Posted: 14 April 2009 at 5:12pm | IP Logged
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So as a kid I was always fascinated that it seemed as though the song never actually faded out. What I mean is that where the fade was supposed to start it just never did. I'm assuming this is because of the compressor?
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aaronk Admin Group
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Posted: 15 April 2009 at 10:40am | IP Logged
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chendagam wrote:
So as a kid I was always fascinated that it seemed as though the song never actually faded out. What I mean is that where the fade was supposed to start it just never did. I'm assuming this is because of the compressor? |
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Yes, the compression used on radio signals will boost the volume as the song is fading out. If you ever heard a DJ who accidentally let the song run out to the end, you'll notice that the fade happens very rapidly. The compressor has a threshold at which it doesn't try to "normalize" the volume below a certain db.
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chendagam MusicFan
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Posted: 15 April 2009 at 5:35pm | IP Logged
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Yes! I have a compressor running on my internet radio station and sometimes if the source was a 45 and there is a pop or click at the end the software recognized it as part of the song so the fade happened rapidly followed by that "click" and then the next song would come on.
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Indy500 MusicFan
Joined: 29 January 2008 Location: United States
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Posted: 12 October 2010 at 8:47pm | IP Logged
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So the U.S. 45 version of EVERYBODY is not available on CD but can be created from the 12" version. Does anyone know the edit points by chance?
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Nick2341 MusicFan
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Posted: 14 October 2010 at 7:43am | IP Logged
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This is from another thread around here before.
Everybody (Edit) – 3:58
• Cut the section between 10 - 18 seconds
• Cut the third chorus in half editing from 1:46 - 2:02 of the fourth chorus.
• Cut the section from 2:06 - 2:54
• Cut the section from 3:10 - 3:42 on the word “body.”
• Cut the section from 3:42 - 3:58 on the word “body.”
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Brian W. MusicFan
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Posted: 14 October 2010 at 12:05pm | IP Logged
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Thanks for posting that, Nick. The nice thing about "Everybody" is you don't have to do a fade... it just uses the 12" fade. I did a perfect custom edit of this a while back. I would have posted this info myself, but I never make notes on the edits... I just do them.
By the way, the way the audio moves to the left channel during the fade, then back center again at the very end of the fade, that is on the original 45 as well.
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Indy500 MusicFan
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Posted: 14 October 2010 at 6:53pm | IP Logged
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Thanks Nick,
Took awhile to find clean edit points but it sounds great when finished. I never realized how brickwalled the 2001 remaster of "Madonna" is. I used the True Blue Japanese CD single with actual peaks and valleys to edit from.
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