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Subject Topic: Ronnie Dove-4 1966 wrong listed times Post ReplyPost New Topic
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jimct
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Posted: 27 December 2006 at 3:34am | IP Logged Quote jimct

I have commercial 45s for all 4 of these 1966 Top 40 database entries, and I have discovered, that for:

"When Liking Turns To Loving"-the listed time is (2:36), but the actual time is (2:50).

"Let's Start All Over Again"-the listed time is (2:30), but the actual time is (2:38).

"I Really Don't Want To Know"-the listed time is (2:49), but the actual time is (3:02).

"Happy Summer Days"-the listed time is (2:08), but the actual time is (2:17).

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TomDiehl1
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Posted: 27 December 2006 at 10:42am | IP Logged Quote TomDiehl1

I don't think a single Ronnie Dove 45 played to the time listed on the label. The recordings on the 45s were sped up, at that...ive heard a few of them at the original recorded speed, what a difference!

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jimct
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Posted: 19 May 2010 at 11:18am | IP Logged Quote jimct

Not surprisingly, and to further reiterate the point Tom has already made above, I have also just uncovered a timing error for Dove's 5th and final 1966 Top 40 hit, "Cry". My commercial 45 (confirmed as Diamond 214, is vinyl, with deadwax info of "D214A") has a listed time of (2:47), but an actual time of (2:56). FYI, the three current database CDs that include this song all run either (2:56) or (2:57).
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KentT
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Posted: 06 July 2010 at 8:18pm | IP Logged Quote KentT

And my own Diamond 45 of "Cry" is exactly 2:56 verified by timing. Diamond 45 timings listed never could be relied on. All our station library copies have the correct timings written on them by Program Directors.

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Paul C
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Posted: 26 November 2012 at 1:25pm | IP Logged Quote Paul C

We can add one more from 1965. My U.S. commercial 45 of "I'll Make All Your Dreams Come True" (Diamond 188) states the run time as (2:29), but I timed it at (2:38).
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Hykker
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Posted: 26 November 2012 at 5:37pm | IP Logged Quote Hykker

KentT wrote:
Diamond 45 timings listed never could be relied on. All our station library copies have the correct timings written on them by Program Directors.


Not to mention the fact that the quality of vinyl used rivals that of Dunhill 45s of that period as far as noisy pressings go.
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Yah Shure
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Posted: 26 November 2012 at 7:24pm | IP Logged Quote Yah Shure

Hykker wrote:
Not to mention the fact that the quality of vinyl used rivals that of Dunhill 45s of that period as far as noisy pressings go.

The Diamond label was one of those rare instances where the Monarch-pressed styrene 45s turned out to be the holy grails. The non-west coast Diamond 45s were actually pressed on medium-grit sandpaper, spray-painted black.
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Todd Ireland
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Posted: 26 November 2012 at 9:08pm | IP Logged Quote Todd Ireland

Yah Shure wrote:
The non-west coast Diamond 45s were actually pressed on medium-grit sandpaper, spray-painted black.


LOL!
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TomDiehl1
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Posted: 01 December 2012 at 1:57am | IP Logged Quote TomDiehl1

The east cost promotional copies were usually on translucent brown vinyl which played a whole lot nicer than their standard stock copies did.

Strange things went on back then... the two Kolsky brothers ran the Diamond label and a third brother owned one of the east coast pressing plants the records got pressed up at... they would charge distributors for 100,000 copies of a single and send them 150,000 copies, they would write off promotional copies against artist royalties (often times pressing up many, many more promotional copies than needed -- and then selling those at lower costs in some stores). Some of the stories I've heard over the years actually confirm a lot of things Tommy James talks about in his book (as a lot of these record guys in New York were from the same mafia).

Actually, I try to find Canadian pressings when I can, they're usually on good vinyl and use the US stampers.

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TomDiehl1
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Posted: 01 December 2012 at 2:23am | IP Logged Quote TomDiehl1

jimct wrote:
"Happy Summer Days"-the listed time is (2:08), but the actual time is (2:17).



I timed both east coast and west coast pressings of Happy Summer Days out to (2:16) in length, with the west coast pressing playing just a hair faster.

As for other 45's of Ronnie's, just for the sake of having these in my hands right now:

my 45s of Right Or Wrong have a listed time of (2:06) but I timed both east and west coast pressings to an actual time of (2:11).

My east coast pressing of One Kiss For Old Times' Sake has a listed time of (2:35) but an actual time of (2:58)

My west coast pressing of Kiss Away has a listed time of (2:37) but an actual time of (2:41). Stereo versions on cd are an alternate take that first showed up on a 1981 LP, though Diamond lp's did have the 45 take in stereo.

Edited by TomDiehl1 on 01 December 2012 at 2:44am


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Hykker
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Posted: 01 December 2012 at 11:10am | IP Logged Quote Hykker

TomDiehl1 wrote:
The east cost promotional copies were usually on translucent brown vinyl which played a whole lot nicer than their standard stock copies did.


I'd never noticed that before...I only have 2 Diamond promos ("Cry" by RD and a 1967 stiff by Dawn's Early Light), but they're both the semi-translucent brown like you mentioned. Not sure I'd use the word "nicer" as to how they sound, maybe less bad...
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TomDiehl1
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Posted: 01 December 2012 at 2:36pm | IP Logged Quote TomDiehl1

I like the Dawn's Early Light recording, it was #1 in New York according to band members who heard it while driving to a gig. My stock copy of that one actually has the translucent brown vinyl, too. There are two alternate mixes floating around of that recording, too... one that a band member put on youtube and another I found on a Mirasound acetate on ebay last year.

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