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jebsib MusicFan
Joined: 06 April 2006
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Posted: 23 April 2007 at 9:47am | IP Logged
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When you edit your LP tracks and mp3s to try to recreate the 45 version, or indeed when you import a track from a CD to iTunes and then burn it again to a CD-R, do you keep losing large amounts of quality?
In my naivety, I always thought that since digital info is all “1’s and 0’s”, transferring that info back and forth did nothing to diminish sound fidelity.
But with recent discussions about file compression and kbps, I am left wondering: If ripping a song from a CD and thus transferring it to an mp3 file significantly lessens the sound quality, what about then burning that file again to CD?
Does all that stretching back and forth keep degenerating the purity even further?
I am reminded of my frustration in the eighties and nineties over taping and re-taping songs from audio cassettes and listening to the generational quality slip away …
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AndrewChouffi MusicFan
Joined: 24 September 2005
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Posted: 23 April 2007 at 10:09am | IP Logged
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The answer to your question is "prety much" or "it depends".
When one converts a CDDA or a .wav track to mp3 or other compressed format, there is a loss in information & sound quality. There are currently no known editing programs (save 'mpTrim' and the like) that edit in the mp3 domain.
To edit (say a middle section) one has to convert it to a .wav domain & then reconvert it back to mp3 to play it on his mp3 player (more information/sound quality loss).
If one keeps the file in the .wav domain it's never recompressed, therefore there will be no audible additional degradation in sound.
Andy
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aaronk Admin Group
Joined: 16 January 2005 Location: United States
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Posted: 23 April 2007 at 10:23am | IP Logged
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You are absolutely correct that you will lose sound quality when you convert a song to an mp3. Converting it back to a wav file or burning it on a CD does NOT bring back the sound quality; however, it does not make it any worse either. It will only get worse if you convert it to an mp3 again. (For example, rip a CD to an mp3 = 1st generation loss; convert mp3 to wav or burn to CD = no further loss; convert that same file back to mp3 again = 2nd generation loss.)
When editing my audio, I always start off with the best source I have available, which is never an mp3. I always use wav files, and I never convert the finished product to mp3 for the "master." If I make an mp3 out of a song, I always have the original wav file somewhere, too.
You should never experience any sound quality loss when you are going back and forth from CD to wav file, no matter how many generations it is. The only danger with that is making sure you didn't pick up any errors in the process. On occasion, I'll find a CD-R that my drive/recorder doesn't like to read. When I play back the file, it skips or has a short blank space somewhere in the middle where data is missing. Slower ripping speeds usually reduce or eliminate any errors that could occur, but there are many other factors that could also give you read errors.
The important thing to remember about mp3s is that they will never sound as good as an original CD or wav file that has not been compressed. In order to fit the same amount of music in a smaller file size, some of the audio information gets thrown away (hence the sound quality loss).
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aaronk Admin Group
Joined: 16 January 2005 Location: United States
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Posted: 23 April 2007 at 10:27am | IP Logged
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AndrewChouffi wrote:
To edit (say a middle section) one has to convert it to a .wav domain & then reconvert it back to mp3 to play it on his mp3 player (more information/sound quality loss). |
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To clarify Andy's point, most editing programs automatically do the conversion for you when you open the file. So, if you open an mp3 file in your editing software, it is converting it to a wav file in the process. If you tell your editing software to save the file as an mp3, Andy is correct that you will be losing another generation as it converts the audio back to mp3.
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EdisonLite MusicFan
Joined: 18 October 2004 Location: United States
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Posted: 23 April 2007 at 1:57pm | IP Logged
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It's true that you lose quality when converting to mp3, but you can lose a tiny bit of quality or a great amount. For instance, I make mp3s at 256 kbps. Further, when making the mp3s, my software asks me "High quality, medium quality, or low quality?" (Low quality is transferred at the fastest speed. High quality takes longer to transfer (although not much) but is higher quality!)
My friend MMathews, who contributes to this board, has told me that if you select "high quality" and "256" (and btw, 320 is even better quality), the ear really only senses a slight loss of treble, about 0.5 dB at 12k according MMathews. Therefore, if you really didn't want any noticable quality loss, you can pre-raise 12K by 0.5 dB, then make a 256 mp3, choosing "high quality" if your software gives you that option.
Now, while it's true that this mp3 has less info in it - if you A-B'd this mp3 with the original WAV, would someone like MMathews or me even hear the difference and even know which is which? He has this theory (and now me, too) that if the ear can't tell which is which, it doesn't really matter that one is less quality. After all, it's really what our ears are detecting that matters, not what the file LOOKS like on the computer.
BTW, I don't pre-raise the 12K area by 0.5 dB, but I do make 256 mp3s and choose "high quality" -- and I can't really hear any difference or that I'm listening to mp3s! (And people say I have very good ears. In fact, I rather wish I didn't!)
Edited by EdisonLite on 23 April 2007 at 2:01pm
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AndrewChouffi MusicFan
Joined: 24 September 2005
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Posted: 23 April 2007 at 3:00pm | IP Logged
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Just to clarify my point about mpTrim.
mpTrim WILL lop off an intro, do a rough early fade, raise or lower volume IN THE MP3 DOMAIN (no additional loss in sound quality)--but it CAN NOT edit out a 'middle section' of an mp3.
It's still a great freeware program!
Andy
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jebsib MusicFan
Joined: 06 April 2006
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Posted: 23 April 2007 at 4:27pm | IP Logged
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Wonderfully explained, guys - thanks so much!!!
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MMathews MusicFan
Joined: 18 August 2005 Location: United States
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Posted: 23 April 2007 at 6:33pm | IP Logged
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Hi all,
I just want to clarify a point...
EdisonLite is correct in my opinion that a 256k (my usual encodong rate) mp3 can be enjoyed with minimum of detactable loss to most listeners, and both he and I can be picky about our sound.
But to address to loss-issue: if you rip a track that WAS already compressed into mp3, and re-encoding it in a compressed format again, you lose some quality everytime and eventually it will be unlistenable.
To this day, when a file is left in full sized wave format, I've never detected any noticable loss no matter how many people it's been passed to. I'm sure most CDR traders would agree.
If i do any editing on an mp3, and the sound is still decent, I usually will re-encode it at a higher bitrate than it was. But of course ideally you always want to start with a wav file.
-MM
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aaronk Admin Group
Joined: 16 January 2005 Location: United States
Online Status: Offline Posts: 6513
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Posted: 23 April 2007 at 11:32pm | IP Logged
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Lots of good additional info here, guys. There is one point that I would like to clarify, though:
EdisonLite wrote:
...if you select "high quality" and "256"...the ear really only senses a slight loss of treble, about 0.5 dB at 12k according MMathews. |
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This is not actually true. While it may sound like you are losing a slight loss of treble, converting to an mp3 does not adjust the EQ of a song at all. Instead, it throws away entire frequencies that are less important to the ear. If the range of frequencies we can hear starts at 20 Hz and goes to 20,000 Hz, an mp3 compressor will discard any number of frequencies in that range.
Yes, you may hear a loss of treble; however, you cannot get that frequency back by boosting the high-end of your EQ. Whichever frequencies were discarded are gone forever. This is the reason that you can never make a low-quality mp3 sound good no matter how much you adjust the EQ.
I agree with EdisonLite that I do not really hear a decrease in treble on a 256kbps mp3; however, I can certainly hear the compression, especially in the high end. The encoder usually leaves behind some audible artifacts that weren't there before. It's hard to describe, but it's almost like a fluttering of the high end frequencies, and it gets worse as you use lower bit rates.
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