Active TopicsActive Topics  Display List of Forum MembersMemberlist  Search The ForumSearch  HelpHelp
  RegisterRegister  LoginLogin
Chat Board
 Top 40 Music on Compact Disc : Chat Board
Subject Topic: Arbors "The Letter" Post ReplyPost New Topic
Author
Message << Prev Topic | Next Topic >>
BillCahill
MusicFan
MusicFan


Joined: 13 October 2004
Location: United States
Online Status: Offline
Posts: 164
Posted: 04 December 2007 at 10:07pm | IP Logged Quote BillCahill

What do you guys have on timing on this one? I don't have an original 45 but I do have a Columbia Hall of Fame reissue with the song in mono.

Label says 3:15 but it runs 3:37. Sped up compared to the LP but still runs longer than the LP version due to a longer fade. Does anybody have the DJ or stock to compare? Do those versions list 3:15 but run 3:37?

LP version clocks in at 3:31.
Back to Top View BillCahill's Profile Search for other posts by BillCahill
 
jimct
MusicFan
MusicFan


Joined: 07 April 2006
Location: United States
Online Status: Offline
Posts: 3906
Posted: 05 December 2007 at 10:10am | IP Logged Quote jimct

Bill, both my commercial and promo 45 for this (both are in mono, FYI) have a listed time of (3:15), but an actual time of (3:35). My promo deadwax is "ZSP150049-1B", while my commercial 45 deadwax is "JZSP-150049-1A".
Back to Top View jimct's Profile Search for other posts by jimct
 
Todd Ireland
MusicFan
MusicFan


Joined: 16 October 2004
Location: United States
Online Status: Offline
Posts: 4219
Posted: 15 August 2009 at 6:12am | IP Logged Quote Todd Ireland

I've always found it rather odd that all database CD appearances of the Arbors' "The Letter" are a combination of stereo and mono. Has anyone come across this song anywhere on CD where the song is either entirely mono or entirely stereo?

Also, the song's last 45 seconds of mono on my Rock Artifacts, Vol. 2 CD (Sony Music Special Products 33678) sound badly out-of-phase to me. I don't know if this was the intended effect, but is this the case on all database CDs?

Edited by Todd Ireland on 15 August 2009 at 6:20am
Back to Top View Todd Ireland's Profile Search for other posts by Todd Ireland
 
AndrewChouffi
MusicFan
MusicFan


Joined: 24 September 2005
Online Status: Offline
Posts: 1091
Posted: 15 August 2009 at 6:50am | IP Logged Quote AndrewChouffi

Yes Todd,

The intended effect of the ending was purposely a flanging effect (not unlike Toni Fisher's "Big Hurt").

The reason why the ending was mono is because stereo flanging had not been "perfected" yet & there probably wasn't room on the multi-track for a stereo flanging experiment.

Andy
Back to Top View AndrewChouffi's Profile Search for other posts by AndrewChouffi
 
Todd Ireland
MusicFan
MusicFan


Joined: 16 October 2004
Location: United States
Online Status: Offline
Posts: 4219
Posted: 16 August 2009 at 12:00am | IP Logged Quote Todd Ireland

Thanks for the interesting background info, Andrew. So was this stereo/mono mix first created in 1969 when "The Letter" was a hit, or did this mix later surface after the fact?
Back to Top View Todd Ireland's Profile Search for other posts by Todd Ireland
 
Bill Cahill
MusicFan
MusicFan


Joined: 27 June 2005
Location: United States
Online Status: Offline
Posts: 595
Posted: 16 August 2009 at 6:58am | IP Logged Quote Bill Cahill

The stereo/mono mix first surfaced on the Arbor's LP "I Cant Quit Her/The Letter". Probably 1969 although there is no copyright date on my LP. I just figured they didn't want to bother to try to phase it again.
Back to Top View Bill Cahill's Profile Search for other posts by Bill Cahill
 

If you wish to post a reply to this topic you must first login
If you are not already registered you must first register

  Post ReplyPost New Topic
Printable version Printable version

Forum Jump
You cannot post new topics in this forum
You cannot reply to topics in this forum
You cannot delete your posts in this forum
You cannot edit your posts in this forum
You cannot create polls in this forum
You cannot vote in polls in this forum



This page was generated in 0.0586 seconds.