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   <title><![CDATA[Commodores - Still :   crapfromthepast wrote:No more...]]></title>
   <link>https://top40musiconcd.com/forum/forum_posts.asp?TID=8210&amp;PID=42334&amp;title=commodores-still#42334</link>
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    <![CDATA[<strong>Author:</strong> <a href="https://top40musiconcd.com/forum/member_profile.asp?PF=16">80smusicfreak</a><br /><strong>Subject:</strong> 8210<br /><strong>Posted:</strong> 09&nbsp;October&nbsp;2014 at 12:27am<br /><br /> <table width="99%"><tr><td class="BBquote"><img src="forum_images/quote_box.png" title="Originally posted by crapfromthepast" alt="Originally posted by crapfromthepast" style="vertical-align: text-bottom;" /> <strong>crapfromthepast wrote:</strong><br /><br />No more funk for the Commodores after this one.</td></tr></table> <br />Hey, it might've been "funk lite" compared to 1977's "Brick House" - or even other '81 crossover hits such as "She's a Bad Mama Jama", "Give it to Me Baby", or "Fantastic Voyage" - but don't forget "Lady (You Bring Me Up)"! :-) I generally prefer the Commodores' uptempo stuff over the ballads as well, and "Lady" has always ranked among my top three faves of theirs...]]>
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   <pubDate>Thu, 09 Oct 2014 00:27:25 +0000</pubDate>
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   <title><![CDATA[Commodores - Still : I didn&amp;#039;t like &amp;#034;Still&amp;#034;...]]></title>
   <link>https://top40musiconcd.com/forum/forum_posts.asp?TID=8210&amp;PID=42326&amp;title=commodores-still#42326</link>
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    <![CDATA[<strong>Author:</strong> <a href="https://top40musiconcd.com/forum/member_profile.asp?PF=89">crapfromthepast</a><br /><strong>Subject:</strong> 8210<br /><strong>Posted:</strong> 08&nbsp;October&nbsp;2014 at 7:47pm<br /><br />I didn't like "Still" at the time, but I was 11 in 1979, and didn't know better.  Now, I think this is a really classy ballad.  Lionel hit paydirt with "Easy" in 1977, and he really hit his ballad stride with "Three Times A Lady" and this record.  No more funk for the Commodores after this one.<br /><br /><strong>LP version</strong> (runs <strong>5:48</strong>)<br /><br />The oldest CD I have the LP version on is Motown's <em>Compact Command Performances 14 Greatest Hits</em> (1983), which is a very old CD.  The sound quality is pretty good, considering that this was one of the first batch of CDs that Motown released.  But the levels are painfully low; there's about 9 dB of headroom on this song.  Amazingly, there's a differently EQ'd digital clone of this version, with a volume boost of about 9 dB, on Time-Life's 2-CD <em>Body And Soul Vol. 9 Sweet Embrace</em> (1999).<br /><br />I think (?) that the same analog transfer for <em>Compact</em> may be used for Motown's Commodores collection <em>Ultimate Collection</em> (1997), but with its absolute polarity flipped and a very large volume boost.  It clips quite a bit in the last minute of the song.  There are digital clones of <em>Ultimate Collection</em> on:<ul><li>Time-Life's <em>Singers And Songwriters Vol. 31 Classics</em> (2001; 1 dB quieter)</li><li>Time-Life's <em>Ultimate Love Songs Collection Secret Lovers</em> (2004; 3 dB quieter)</li></ul>All of the above have fine dynamic range and no evidence of noise reduction on the fade.  I'll cast my vote for <em>Body And Soul Vol. 9 Sweet Embrace</em>, but only because it has good volume levels and doesn't clip in the loud parts.<br /><br />None sound bad, but I think they're from higher-generation source tapes than some of the 45 versions you'll see below.<br /><br />I also think that all of the LP versions may have their left/right channels swapped.  To check, listen for a buzzy string sound at the 14-second mark.  It's in the left channel on all the LP versions, but in the right channel on all the 45 versions.  I don't have any of the vinyl to compare.<br /><br /><strong>45 edit</strong> (runs <strong>3:47</strong>)<br /><br />The 45 is a simple edit of the LP version that removes 0:57.3-3:02.1 of the LP version (timing from <em>Body And Soul</em>).<br /><br />I think the best-sounding version of the 45 is on Motown's 4-CD <em>Hitsville USA Vol. 2</em> (1993), where it has a rich, full EQ, plenty of dynamic range, and the longest tail on the fade of any of the CDs I have, including all the LP versions.  Listen to the detail in the plucked strings about 4-5 seconds into the intro - it sounds a little blurred out on all the other discs, including all the LP versions.  There are differently EQ'd digital clones on Time-Life's 2-cD <em>Body Talk Vol. 7 Hearts In Motion</em> (1996) and Time-Life's <em>Solid Gold Soul Vol. 15 1979</em> (1997; 0.925 dB quieter than <em>Body Talk</em>).<br /><br />The oldest CD I have the 45 edit on is Motown's <em>25 #1 Hits From 25 Years Vol. 2</em> (1985).  There's a digital clone on Time-Life's <em>AM Gold Vol. 26 1979</em> (1997; 0.5 dB quieter).<br /><br />There are a few Warner Special Products discs that sounds similar to each other, but not as good as <em>Hitsville</em>.<br /><br />The Motown 2-CD Commodores <em>Anthology</em> (1995) is actually a little compressed/limited in the loud parts of the song.  Surprising, considering how well these 1995 Anthology sets were done.<br /><br />Lionel Richie's <em>Back To Front</em> also sounds good.<br /><br /><strong>Best Bets</strong><br /><br />For the <strong>LP version</strong>, I half-heartedly recommend <strong><em>Body And Soul Vol. 9 Sweet Embrace</em></strong> (1999), but it may have its left/right channels swapped.  There must be a better CD with the LP version out there somewhere, which uses lower-generation source tapes.<br /><br />For the <strong>45 edit</strong>, I emphatically recommend <strong><em>Hitsville USA Vol. 2</em></strong> (1993), which sounds significantly better than all the LP versions I found.<span style="font-size:10px"><br /><br />Edited by crapfromthepast</span>]]>
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   <pubDate>Wed, 08 Oct 2014 19:47:23 +0000</pubDate>
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