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   <title><![CDATA[Sylvers - Boogie Fever : Nothing magical to report here,...]]></title>
   <link>https://top40musiconcd.com/forum/forum_posts.asp?TID=8606&amp;PID=46073&amp;title=sylvers-boogie-fever#46073</link>
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    <![CDATA[<strong>Author:</strong> <a href="https://top40musiconcd.com/forum/member_profile.asp?PF=89">crapfromthepast</a><br /><strong>Subject:</strong> 8606<br /><strong>Posted:</strong> 19&nbsp;August&nbsp;2016 at 5:43pm<br /><br />Nothing magical to report here, just a little mastering history.<br /><br />The oldest CD to include the song is Priority's <em>Mega-Hits Dance Classics Vol. 4</em> (1989).  It's mastered a little loud and clips quite a bit, but doesn't sound too bad here.<br /><br />I think the same source tapes for the Priority disc are used for Razor & Tie's 2-CD <em>Disco Fever</em> (1991).  Here, it's got plenty of headroom (no clipping), and a more reasonable EQ that brings out the high end.  The song wasn't mixed with a whole lot of bass, so there's not much low end.  Still, this is an improvement over the Priority disc.<br /><br />Then, Bill Inglot did a new analog transfer for Rhino's <em>Disco Years Vol. 3</em> (1992), which is better than both of the earlier discs.  The same analog transfer is used for:<ul><li>Rhino's cheapie <em>Disco Hits Vol. 5</em> (1994; digitally identical)</li><li>Time-Life's <em>Sounds Of The Seventies Vol. 39 Pop Nuggets Late '70s</em> (1995; differently-EQ'd digital clone with some added compression; avoid)</li><li>Time-Life's <em>Solid Gold Soul Vol. 11 1976</em> (1996; differently-EQ'd digital clone)</li><li>Time-Life's <em>Sounds Of The Seventies Vol. 44 '70s Dance Party 1975-1976</em> (1997; digitally exactly 0.304 dB quieter than <em>Solid Gold Soul Vol. 11 1976</em>)</li><li>Time-Life's 2-CD <em>Seventies Music Explosion Vol. 4 Magic</em> (2005; differently-EQ'd digital clone)</li></ul>Time-Life's <em>Sounds Of The Seventies Vol. 27 Dance Fever</em> (1992) uses the same analog transfer as <em>Disco Years Vol. 3</em>, but shortens the fade by a few seconds.  That's not good; avoid these if you can find the longer versions listed above.  The same analog transfer is used for:<ul><li>JCI's <em>Only Rock 'N Roll 1975-1979</em> (1994)</li><li>Waner Special Products' <em>Eighteen Disco Superhits</em> (1996)</li><li>Madacy's <em>Rock On 1976</em> (original 1996 release; digitally exactly 4 dB louder than <em>Sounds Of The Seventies Vol. 27 Dance Fever</em>)</li><li>Madacy's <em>Rock On 1976</em> (2004 reissue; differently EQ'd digital clone of <em>Dance Fever</em> with addidiotnal compression; avoid)</li></ul>There's one other disc that I have, which features a different analog transfer than every listed above, has a terribly muffled high end, and runs significantly shorter than everything listed above: Cema's <em>Rock-N-Roll Greatest Hits Vol. 5</em> (1995).  Based on Cema mastering history and the listed times in the database, I'd guess that this disc is based on Razor & Tie's <em>Boogie Fever Best Of</em>.  If it's truly a digital clone, then "Boogie Fever" sounds pretty bad on that <em>Best Of</em> - avoid.<br /><br />My recommendation: Go with <strong>Rhino's <em>Disco Years Vol. 3</em> (1992)</strong>.<span style="font-size:10px"><br /><br />Edited by crapfromthepast</span>]]>
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   <pubDate>Fri, 19 Aug 2016 17:43:51 +0000</pubDate>
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