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   <title><![CDATA[Ozark Mountain Daredevils - Jackie Blue : LP version (about 4:07, plus or...]]></title>
   <link>https://top40musiconcd.com/forum/forum_posts.asp?TID=8656&amp;PID=46555&amp;title=ozark-mountain-daredevils-jackie-blue#46555</link>
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    <![CDATA[<strong>Author:</strong> <a href="https://top40musiconcd.com/forum/member_profile.asp?PF=89">crapfromthepast</a><br /><strong>Subject:</strong> 8656<br /><strong>Posted:</strong> 04&nbsp;December&nbsp;2016 at 2:10pm<br /><br /><u><strong>LP version (about 4:07, plus or minus a second or two)</strong></u><br /><br />The LP version is plentiful on single-artist Ozark Mountain Daredevils collections, but relatively uncommon on the compilation CDs that I have.<br /><br />The oldest compilation CD with the LP version is probably Priority's <em>Seventies Greatest Rock Hits Vol. 4 Southern Comfort</em> (1991), which has noise reduction, sounds a little compressed/limited, and clips on the bottom half of the waveform around -4 dB in the right channel.  Avoid.<br /><br />Infinitely better is Time-Life's 2-CD <em>Singers And Songwriters Vol. 17 1973-1975</em> (2002), which sounds just fine and runs 4:07.  Hissy fade, no evidence of noise reduction, nice EQ, and great dynamic range.<br /><br />I don't have the LP version anywhere else.<br /><br /><u><strong>45 version (3:14)</strong></u><br /><br />The 45 makes one edit and fades early.  Here are editing instructions, using <em>Singers And Songwriters Vol. 17 1973-1975</em> as the source:<br /><br /><u>Segment 1</u><br />Extends from 0:00.0 to 2:25.4 of the LP version and the 45 edit<br />Ends between beats on the first guitar note of the repeated three-note guitar riff<br /><br />Remove the 64 beats from 2:25.4 to 3:00.9 of the LP version.<br /><br /><u>Segment 2</u><br />Begins between beats on the first guitar note of the repeated three-note guitar riff<br />Extends from 3:00.9 to 3:50.4 of the LP version<br />Extends from 2:25.4 to 3:14.9 of the 45 edit<br /><br /><u>Fade</u><br />Extends from 3:40 to 3:50.4 of the LP version<br />Extends from 3:05 to 3:14.9 of the 45 edit<br /><br />You mixdown will run about 3:15, with an edit at 2:25.4.<br /><br />The 45 version doesn't exist on CD.<br /><br />However, if you ignore the early fade and let the song run out to the LP version's natural ending, you get the version on Rhino's <em>Have A Nice Day Vol. 14</em> (1990).  Here, it sounds great and runs <strong>3:34</strong> (18 seconds longer than the 45 version).  The same analog transfer is used on:<ul><li>Rhino's <em>Billboard Top Hits 1975</em> (1991; digitally identical)</li><li>Razor & Tie's <em>More Fabulous '70s</em> (1991; differently-EQ'd digital clone)</li><li>Time-Life's <em>AM Gold Vol. 22 1975</em> (1996; digitally identical)</li><li>Time-Life's 2-CD <em>Seventies Music Explosion Vol. 2 Escape</em> (2005; digitally exactly 0.34 dB louder)</li><li>Time-Life's 2-CD <em>Classic Soft Rock Vol. 10 Heat Of The Moment</em> (2007; digitally exactly 0.56 dB quieter)</li></ul>Time-Life's <em>Sounds Of The Seventies Vol. 8 1975</em> (1990) has the same edit point as the Rhino disc, but isn't based on the Rhino mastering.  The levels drop a dB or two in the last minute of the song.  The Rhino disc sounds better than this one.<br /><br />My recommendation:<br /><br />For the <strong>LP version</strong>, go with <strong>Time-Life's 2-CD <em>Singers And Songwriters Vol. 17 1973-1975</em> (2002)</strong>.<br />For the <strong>45 version but 18 seconds longer</strong>, go with <strong>Rhino's <em>Have A Nice Day Vol. 14</em> (1990)</strong>.<br />If you want the true 45, fade the version on <em>Have A Nice Day Vol. 14</em> from 3:05.2 to 3:14.9.]]>
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