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Boston promo 45 for Dont Look Back |
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aaronk ![]() Admin Group ![]() Joined: 16 January 2005 Location: United States Status: Offline Points: 156 |
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The beauty of Pat's database and this message board is that everyone can have his/her own idea of what the *hit* version is. For me, it's always been the version that is/was heard widespread on the airwaves. I've always long considered the DJ versions (which in many cases were the same as the commercial single versions) the "hit" versions. Personally, I think a song can only become a bonafide hit after it receives widespread airplay, via the radio, video, or some other form of promotion. |
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Todd Ireland ![]() Music Fan ![]() Joined: 16 October 2004 Location: United States Status: Offline Points: 23 |
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Greg: According to Joel Whitburn in his Top Pop Singles 1955-1999 book, the cassette single was recognized as the standard configuration on the Billboard Hot 100 chart from 1990 to December 5, 1998. As a result, there are a number of folks on this board like edtop40 and myself who've gone to great lengths to post pertinent cassette single info when necessary. Ed in particular regularly makes it a point to recognize the cassette single as the undisputed single version for Top 40 hits during this time period. And when different versions of a particular Top 40 hit exist from one physical single configuration to another, Pat duly updates all related info in the database and allows the reader to decide for himself which format should be considered the "true" single version. So unless I'm missing something, I honestly don't see anybody doing anything here to prevent the database from being anything less than completely accurate. |
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Hykker ![]() Music Fan ![]() Joined: 30 October 2007 Location: United States Status: Offline Points: 20 |
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I wouldn't go so far as to say we "chose" the cassette single as much as I'd say it was imposed on us. For any number of reasons, often the cassette single was all that was available, either because the retailer chose not to carry 45s/CD singles or because the labels chose not to issue them. For the life of me I can't understand why anyone would choose to sonically & mechanically inferior cassette singles if other choices were available. Maybe those of you who lived in or near a major city with numerous record stores had a choice, but those of us who lived in smaller towns/cities didn't have many options. |
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crapfromthepast ![]() Music Fan ![]() ![]() Joined: 14 September 2006 Location: United States Status: Offline Points: 43 |
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I'm sure I'm in the minority here, but I regard the "hit" version as being the version that got all the airplay that made it a hit in the first place, regardless of what format it appeared on or even if it was commercially available at all.
An example off the top of my head - Milli Vanilli's "All Or Nothing": The only version I ever heard (or played) on the radio was the LP version, which was even included on their promo sampler "Hits That Shook The World". There was no 45 for the song, and the cassette single had a drastic remix on it, which got little or no airplay back then. In general, unless there's a huge difference between album and single versions, I tend to lean toward using the LP versions until around 1984, and the 45s from around 1984 onward. There's no hard, fast line in the sand, but around '84, there were a lot of single-only remixes, like "The Reflex", "Adult Education", "It's My Life", "She Bop", and a few others. Before '84, it was primarily edits for the 45, rather than remixes. So I'll use the full LP versions of "Paradise By The Dashboard Light", Diesel's "Sausalito Summernight", Aldo Nova's "Fantasy", Saga's "On The Loose", and so forth, because that's what got played back then. I'll also use the 45 edits of "Slow Ride", "My Sharona", "My Life", and some other classic rock songs that got substantial airplay in their shortened forms on pop radio. That's not to trivialize the intent of this forum, or of those who prefer single versions. I understand that the cassette single was the single format adopted by Billboard and used for the Hot 100 chart methodology, and I completely respect that many collectors seek out the version on those cassette singles. But when I'm compiling my own pop library for radio and mobile DJ work, I'll use the version that most would readily recognize, rather than what they could buy back then. There's plenty of overlap between the library "hit" compiling that I'm doing and those hunting for the single versions, and there's plenty to be learned in the process and shared with the forum... |
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Todd Ireland ![]() Music Fan ![]() Joined: 16 October 2004 Location: United States Status: Offline Points: 23 |
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Speaking for myself, I opted for cassette singles over vinyl 45s because I liked the portability of the cassette single. Unlike a 45, I could play a cassette on my car stereo and on my Sony "Walkman".
Yes... Back in the early '90s in particular, I hated how cassette singles would often feature a drastically different version of a song than what was played on the radio! |
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eriejwg ![]() Music Fan ![]() ![]() Joined: 10 June 2007 Location: United States Status: Offline Points: 57 |
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Speaking as one who actually worked on the radio and played the promo versions, those are the versions I've been trying to acquire.
Luckily, for the last 15 years, I've have subscription services like RPM and now JonesTM to get the 'hit' versions. As a mobile dj, I've owned it all over the years. Vinyl, which I unfortunately sold, then cassette singles, CD's and now, for the last 5 years, digital. |
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crapfromthepast ![]() Music Fan ![]() ![]() Joined: 14 September 2006 Location: United States Status: Offline Points: 43 |
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Amen to those! I used Hot Hits from 1991-1996, Spotlight On Hits from 1991-1996, and Top Hits USA/RPM's weekly service since 1996, with recurrents going back to 1992. I also have a full run of in-store samplers called In Play, which ran around 1990-1991, and some late '80s/early '90s promo samplers from Schwartz Brothers. Those CDs make up around 95% of my '90s library, and nearly 100% of my '00s stuff! Back then, I was able to apply to record pools as a jukebox operator (since my mobile DJ boss actually had a jukebox), and I used Record Source International for 45s from around 1990-1993 until they folded. After the fact, I've been able to get a nice pile of other samplers, like Hitmakers, Network 40, and the TM Century discs. All have their merits. Don't have any Promo Only CDs, although I've worked with people who swear by them. |
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eriejwg ![]() Music Fan ![]() ![]() Joined: 10 June 2007 Location: United States Status: Offline Points: 57 |
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The very first commercial radio station I worked at from 1977-1979 got their current music from Record Source International. Most of the time, for the major hits on 45, we'd hit the local G.C. Murphy or Fisher's Big Wheel, at that time, and buy them there.
Edited by eriejwg |
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Todd Ireland ![]() Music Fan ![]() Joined: 16 October 2004 Location: United States Status: Offline Points: 23 |
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Wow, your post just made my day, John! I can immediately tell someone is from around the greater Pittsburgh area when I hear the mere mention of G.C. Murphy and Fisher's Big Wheel. Sadly, these department stores have been out of business for a number of years now, but as a kid I used to beg my parents to drive me to these places so I could buy comic books and toys. I had no idea G.C. Murphy and Fisher's Big Wheel sold 45s, but of course my interest in collecting Top 40 music didn't start developing until I got a little older!
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aaronk ![]() Admin Group ![]() Joined: 16 January 2005 Location: United States Status: Offline Points: 156 |
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Man! I started collecting 45s at a very young age (about 4), and I used to have my parents drive me to Fisher's Big Wheel to buy 45s!
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