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mono Radio Edits from 1976 Onward [OT]

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Gary View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Gary Quote  Post ReplyReply Direct Link To This Post Posted: 07 February 2021 at 2:46pm
Originally posted by Hykker Hykker wrote:


(raises hand). I've been doing broadcast engineering
for a living since the late 90s (and was always in
some sort of tech field for my "day job" most of my
adult life).
The way you describe sounded like a really half-@ssed
way of doing it...taking just one channel of a stereo
cartridge on air??? Jeez, at least mono out the 2
channels before the preamp if you don't want to spend
the money on a stereo preamp.
The first 2 stations I worked at as a part-timer ('67-
74) just had mono cartridges. Worked OK most of the
time, but some stereo songs had odd artifacts. Later
stations had stereo cartridges (in the production
studio at least), and carted the music.

Yes I agree - this we found out as well as many other things that were rigged up really odd or didn't make any sense. All were fixed by our engineer.
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NightAire View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote NightAire Quote  Post ReplyReply Direct Link To This Post Posted: 08 February 2021 at 12:14am
If an engineer was stuck with stereo equipment, I could see him pulling one channel of a stereo cart rather than summing both channels. The reason would be to avoid phasing issues.

However, if the source material wasn't summed to mono when the cart was originally created, you'd have all kinds of problems, especially from stereo 60s recordings where vocals would all be in one channel and instruments all in the other.

Regarding original in mono / re-edit to stereo: I am a stickler for being accurate to what was played on the air BUT I have made two exceptions in my 1980s single library.

One is the above-mentioned Asia - Heat Of The Moment edit, and the other is Melt With You by Modern English which bafflingly was released ONLY in mono in 1982. (The album version was stereo but not the correct mix.)

My reason for this is that the stereo re-creations of these mixes fold down to mono to exactly match the original mono single so I'm not changing the balance only the location in a stereo field.

Additionally, when I listened to music on AM I always assumed it was in mono as a limitation of the station, not a limitation of the recording... in other words I "heard" it in stereo in my head, even though it was only coming out of one speaker. I always assumed the original recording was stereo. The idea that the mixer would have wanted all the sounds coming out of both speakers equally (because I was always listening ON a stereo) just never crossed my mind. Why would they want something that lame? ;-)

At the risk of taking this off into another tangent, I will say that I wouldn't mind stereo versions of 60s hits that were originally mixed to mono for airplay IF the stereo mixes actually folded down properly into the original mono mix. Usually, the 60s stereo mixes are a mess and may resemble the mono single version in performance only: no reverb or added reverb, levels between instruments radically different, or worst of all missing overdubs entirely.

If a stereo mix "unfolds" the mono mix and that's ALL it does, I am for it. If it changes the levels, ambiance, content, compression, eq, etc. then I am against it.
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