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Redbone - "Come And Get Your Love" |
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TomDiehl1 ![]() Music Fan ![]() Joined: 13 January 2006 Location: United States Status: Offline Points: 0 |
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I never did report back, but the short /
long promo was stereo on both sides.... I have since sold it. I didn't like the short edit. More info is at http://www.45cat.com/record/nc390005us |
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Live in stereo.
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sriv94 ![]() Music Fan ![]() Joined: 16 September 2005 Location: United States Status: Offline Points: 0 |
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Thanks, Aaron. The search function on this board is a little wonky-- everything but this thread turned up when I put "Redbone" in the box. |
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Doug
--------------- All of the good signatures have been taken. |
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crapfromthepast ![]() Music Fan ![]() ![]() Joined: 14 September 2006 Location: United States Status: Offline Points: 16 |
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I have the LP version on three different CDs, with three different masterings, and all three have their left and right channels out of sync by a sample or two:
Edited by crapfromthepast |
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There's a lot of crap on the radio, but there's only one Crap From The Past.
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VWestlife ![]() Music Fan ![]() Joined: 02 April 2020 Location: United States Status: Offline Points: 1 |
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According to this video, made using a quartz-locked Technics turntable, the short mono "2:52" promo 45 of "Come and Get Your Love" runs to at least 2:56 -- if you cut the intro to where the music begins, the video ends at 2:55.7 while the music is still faintly fading out:
https://www.youtube.com/watch?v=GjrA3vcu_UI |
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Hykker ![]() Music Fan ![]() Joined: 30 October 2007 Location: United States Status: Offline Points: 2 |
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Given how unionized the entertainment industry is, I'd imagine the same situation exists at all the other major labels, how did others get away with fold-downs? |
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Yah Shure ![]() Music Fan ![]() Joined: 11 December 2007 Location: United States Status: Offline Points: 0 |
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Don't we have a statute of limitations around here stating that we're not required to defend posts we made a decade earlier? ;) I have no idea, other than that CBS' engineering agreement was undoubtedly much more specific than those of the other major labels at the time. Considering how few of them they did after the mid '70s, you have to wonder why the occasional dedicated mono promo 45 mix still managed to make it out the door at 51 W. 52nd Street as late as 1979 (Flash & The Pan's "Hey, St. Peter" comes to mind.) |
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