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ROMANTICS - "What I Like About You" |
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Todd Ireland ![]() MusicFan ![]() Joined: 16 October 2004 Location: United States Status: Offline Points: 0 |
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On a somewhat related note, it's my understanding that commercial 45 copies of Herb Alpert's "Rise" were accidentally pressed (or played) at the wrong speed in the U.K. and as a result a much more sped up version ended up becoming a hit there!
As for The Romantics' "What I Like About You", I wonder how many people bought this 45 and then returned it to the store thinking it was defective? No question, this may have negatively impacted sales and would at least partially explain how a song so heavily played at sporting events, weddings, and on radio today achieved such a disappointing #49 Billboard Hot 100 chart peak in 1980. Out of curiosity, do these super-sped-up 45s play more "normal" at 33 rpm speed? Edited by Todd Ireland |
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abagon ![]() MusicFan ![]() Joined: 01 March 2008 Location: Japan Status: Offline Points: 0 |
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Thank you very much for the detail about the CBS album prefix, good teacher 80smusicfreak! I use the advices as a reference for my LP collecting. --abagon |
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abagon ![]() MusicFan ![]() Joined: 01 March 2008 Location: Japan Status: Offline Points: 0 |
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I played the 45 at 33 rpm speed. The actual 33 rpm running time is (3:34). It's too slow to listen to it. The voices are... As if Steve Miller sings, duet with Bob Seger! --abagon |
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crapfromthepast ![]() MusicFan ![]() Joined: 14 September 2006 Location: United States Status: Offline Points: 0 |
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I managed to get in touch with the band, and got a
response from lead singer Wally Palmar: "Wally is not aware of this unless it was a pirated copy and not the original pressing. He has not heard of that issue before." In the '80s, this song was impossible to find on CD, so we DJs had to play it off vinyl. I'm pretty sure my copy was a rerelease on Rock N' Mania, and the speed was just fine. I knew some CD-only DJs who resorted to the inferior cover version by Michael Morales; I'm still convinced that the CD unavailability of the Romantics version on CD was what led to the Michael Morales version being a hit. I'll have to check around town and scoop up any 45 copies I can find. |
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There's a lot of crap on the radio, but there's only one Crap From The Past.
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Todd Ireland ![]() MusicFan ![]() Joined: 16 October 2004 Location: United States Status: Offline Points: 0 |
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Thanks for checking, abagon!
Hmmm, interesting... |
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cmmmbase ![]() MusicFan ![]() Joined: 04 May 2006 Location: United States Status: Offline Points: 0 |
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My stock copy runs 2:55 with the deadwax of AA-ZS9-7527-3.
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eric_a ![]() MusicFan ![]() Joined: 29 June 2005 Location: United States Status: Offline Points: 0 |
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I've heard that this was because 12" singles were typically pressed at 45, so when UK DJs got US imports (pressed at 33), they played them at the wrong speed. Normally, vocals would indicate the wrong speed but an instrumental cut doesn't give that clue. |
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Todd Ireland ![]() MusicFan ![]() Joined: 16 October 2004 Location: United States Status: Offline Points: 0 |
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Looks like at least a couple folks here do have a commercial 45 pressing of "What I Like About You" that plays at the same speed as on the LP. Thus, I'm inclined to believe the ultra fast 45 pressings were manufacturing errors. But then this raises questions... Just how common are these errant pressings? And how did the quality control division at the manufacturing plant allow them to make it onto retail store shelves?
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Todd Ireland ![]() MusicFan ![]() Joined: 16 October 2004 Location: United States Status: Offline Points: 0 |
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Thanks, eric_a. I remembered reading something about this in Fred Bronson's The Billboard Book of Number One Hits. I just pulled out my copy for reference and it confirms all the details in your story. |
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Yah Shure ![]() MusicFan ![]() Joined: 11 December 2007 Location: United States Status: Offline Points: 0 |
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Todd, errant pressings were more common than one might think. Unless the label had just finished mastering the latest Chipmunks release prior to the Romantics miscue, one might assume that a screw-up of this nature would have been pretty inexcusable at CBS. Was it just one batch from one plant that managed to fall between quality control checks? Who knows? Was anyone at CBS even aware at the time that they'd forgotten to disconnect the helium tanks?
Let's say they were aware of the glitch. In that case, who would have been contractually responsible for eating the cost of the mispressings? Was this particular job done through an independent mastering house or was it included in Nemperor's manufacturing & distribution pact with CBS? If the former was the case here, CBS might have been contractually bound to utilize the metal parts they'd been provided by Nemperor, mastering error or not. Here's another ponderable: if the mastering error did lie with Nemperor, could the label afford to replace the consequential defective pressings? I've seen an example on Private Stock where comical amounts of tape slippage should have been caught by even someone with a tin ear, yet both the mono and stereo sides of the DJ 45 - pressed by Columbia Terre Haute - went out exactly like that, rendering them completely unusable to radio. The stock pressing was correct, and yet Private Stock made neither the effort to re-service a corrected promo 45 nor authorized the shipment of stock copies to replace the defective promos. Unsurprisingly, the record tanked, so it probably wasn't one the label had any intention of working (promotionally) in the first place. Considering the vast number of records pressed at CBS's plants for both their own records group and their numerous custom clients, it's amazing that many more mistakes didn't fall through the cracks. If the plant employees played the blooper pressings at their holiday parties, there must've been some real lulus! One can only imagine what the mental states of the press operators must've been during those shifts immediately following said parties. :) |
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