![]() |
Mamas & Papas Complete Singles 2CD Set |
Post Reply ![]() |
Page 123 5> |
Author | |||
Santi Paradoa ![]() Music Fan ![]() ![]() Joined: 17 February 2009 Location: United States Status: Offline Points: 14 |
![]() ![]() ![]() ![]() ![]() Posted: 27 October 2015 at 6:43pm |
||
The Mamas And The Papas: The Complete Singles - The 50th Anniversary Collection (2-CD Set)
With the debut of their first hit, California Dreamin’, on the charts, The Mamas and the Papas proclaimed themselves to be a potent new force in the burgeoning West Coast folk-rock movement, announcing to the world that something special and beautiful was happening in California. Now, 50 years to the day after California Dreamin’ entered the Billboard Hot 100 on January 8, 1966, Real Gone Music is celebrating this very special anniversary by releasing The Mamas and the Papas: The Complete Singles The 50th Anniversary Collection, a two-CD, 53-track set that includes for the first time ever the A and B side of every single the group released, all in their impossible-to-find-on-CD original mono single mixes. But this one-of-a-kind collection, which is remastered by Aaron Kannowski, the engineer responsible for Real Gone’s acclaimed collections of singles by fellow Dunhill label acts The Grass Roots and Steppenwolf doesn’t stop with The Mamas and the Papas singles; it also includes the solo single sides that group members Mama Cass Elliot, Denny Doherty and John Phillips cut for the Dunhill and ABC labels, again in their rare, original single mixes. Co-Producer Ed Osborne’s notes feature quotes drawn from extended interviews with Mama Michelle Phillips and Dunhill label head and producer Lou Adler, while the package also includes a number of rarely-seen images of this eminently photographable band. Many of the solo singles and B-sides have never been on CD, let alone in their single mixes; plus, over the course of listening to this set (which clocks in at over 150 minutes) you’re going to hear such legendary songs as Monday, Monday, California Dreamin’, Creeque Alley, I Saw Her Again, Words of Love, Dream A Little Dream Of Me, Glad To Be Unhappy, Dedicated To The One I Love, and It’s Getting Better exactly as folks heard them over the radio back in those halcyon days. Due to the unfortunate situation with the Dunhill single master tape reels (supposedly thrown out at the behest of one of the label’s owners), Mamas and Papas fans had despaired of ever hearing the group’s original singles on CD. Now, after countless hours spent tracking down sources, Real Gone Music is proud to release the most significant addition to The Mamas and the Papas discography in years! Amazon US is already taking pre-orders. Street/Release Date is January 8th, 2016 (Real Gone Music). Disc: 1 1. Go Where You Wanna Go 2. Somebody Groovy 3. California Dreamin' 4. Monday, Monday 5. Got A Feelin’ 6. I Saw Her Again 7. Even If I Could 8. Look Through My Window 9. Once Was a Time I Thought 10. Words Of Love 11. Dancing In The Street 12. Dedicated To The One I Love 13. Free Advice 14. Creeque Alley 15. Did You Ever Want To Cry 16. Twelve Thirty (Young Girls Are Coming) 17. Straight Shooter 18. Glad To Be Unhappy 19. Hey Girl 20. Dancing Bear 21. John’s Music Box 22. Safe In My Garden 23. Too Late 24. Dream A Little Dream Of Me 25. Midnight Voyage 26. For The Love Of Ivy 27. Strange Young Girls Disc: 2 1. Do You Wanna Dance 2. My Girl 3. Step Out 4. Shooting Star 5. California Earthquake (Mama Cass) 6. Talkin’ To Your Toothbrush (Mama Cass) 7. Move In A Little Closer, Baby (Mama Cass) 8. All For Me (Mama Cass) 9. It’s Getting Better (Mama Cass) 10. Who’s To Blame (Mama Cass) 11. Make Your Own Kind Of Music (Mama Cass Elliot) 12. Lady Love (Mama Cass Elliot) 13. New World Coming (Mama Cass Elliot) 14. Blow Me A Kiss (Mama Cass Elliott) 15. A Song That Never Comes (Mama Cass Elliot) 16. I Can Dream, Can’t I (Mama Cass Elliot) 17. The Good Times Are Coming (Mama Cass Elliot) 18. Welcome To The World (Mama Cass) 19. Don’t Let The Good Life Pass You By (Mama Cass Elliot) 20. The Costume Ball (Mama Cass Elliot) 21. Watcha Gonna Do (Denny Doherty) 22. Gathering The Words (Denny Doherty) 23. To Claudia On Thursday (Denny Doherty) 24. Tuesday Morning (Denny Doherty) 25. Mississippi (John Phillips) 26. April Anne (John Phillips) Edited by Santi Paradoa |
|||
Santi Paradoa
Miami, Florida |
|||
![]() |
|||
Underground Dub ![]() Music Fan ![]() Joined: 10 July 2006 Status: Offline Points: 0 |
![]() ![]() ![]() ![]() ![]() |
||
So excited about this one!
|
|||
![]() |
|||
Paul Haney ![]() Music Fan ![]() ![]() Joined: 01 April 2005 Status: Offline Points: 23 |
![]() ![]() ![]() ![]() ![]() |
||
Me, too! With Ed and Aaron doing their usual stellar work, this should look and sound fantastic! |
|||
![]() |
|||
crapfromthepast ![]() Music Fan ![]() ![]() Joined: 14 September 2006 Location: United States Status: Offline Points: 9 |
![]() ![]() ![]() ![]() ![]() |
||
The only two new CDs I've bought in the last 5 years are Real Gone's Grass Roots and Steppenwolf sets. This will be my third. Congrats to Ed and Aaron for getting this one to market!
|
|||
There's a lot of crap on the radio, but there's only one Crap From The Past.
|
|||
![]() |
|||
Hykker ![]() Music Fan ![]() Joined: 30 October 2007 Location: United States Status: Offline Points: 2 |
![]() ![]() ![]() ![]() ![]() |
||
So were they able to find tape sources for these songs, or
did they have to resort to needledrops? |
|||
![]() |
|||
crapfromthepast ![]() Music Fan ![]() ![]() Joined: 14 September 2006 Location: United States Status: Offline Points: 9 |
![]() ![]() ![]() ![]() ![]() |
||
Aaron will never tell!
A lot of us listened to the Grass Roots and Steppenwolf sets with the same scrutiny that we give to other discs. (Does the high end disappear on the fade? Do we hear turntable rumble or surface cracklies? Etc.) If any tracks were taken from vinyl, we couldn't tell. Aaron either found tapes, or did the best transfers from vinyl that I've ever heard. |
|||
There's a lot of crap on the radio, but there's only one Crap From The Past.
|
|||
![]() |
|||
Yah Shure ![]() Music Fan ![]() Joined: 11 December 2007 Location: United States Status: Offline Points: 0 |
![]() ![]() ![]() ![]() ![]() |
||
Cleary, you haven't found his price point yet. ;)
Judging from the vinyl dubs Aaron and I have exchanged in the past, Dunhill could have cut the Mamas & Papas sessions to Edison wax cylinders and Aaron could make them sound great. Probably better than the original 45s, since Thomas Edison's choice of wax quality was a lot better than Dunhill's was for vinyl or styrene.
Surface Cracklies!! Best breakfast cereal name ever! Ron, hie thee to General Mills HQ and submit that name, pronto! :) With the M&Ps now officially on the release schedule, The Thomas Group Complete Dunhill Singles, C-Sides, D-Sides, Outtakes, Splicing Tape Scraps And Floor Sweepings set just has to be in the pre-production pipeline by now. If not, I'd settle for the Pratt-McClain Complete Dunhill Singles set. ;) Seriously, Aaron's work is second to none. As for the endless Dunhill tape-vs.-needledrop guessing games (a virtual cottage industry spectator sport on the Hoffman forum for both the Grass Roots and Steppenwolf collections) as long as the end result sounds great, I couldn't care less what it was sourced from, especially when it comes to mono 45 mixes. If Aaron's name is on it, that's good enough for me. |
|||
![]() |
|||
Brian W. ![]() Music Fan ![]() Joined: 13 October 2004 Location: United States Status: Offline Points: 2 |
![]() ![]() ![]() ![]() ![]() |
||
My goodness, that Aaron has been busy lately! Sounds like
an exciting release. |
|||
![]() |
|||
The Hits Man ![]() Music Fan ![]() Joined: 04 February 2007 Location: United States Status: Offline Points: 0 |
![]() ![]() ![]() ![]() ![]() |
||
I have done a few ABC/Dunhill needledrops that sound like they could have come from tape. It's not that hard. |
|||
|
|||
![]() |
|||
jimct ![]() Music Fan ![]() Joined: 07 April 2006 Location: United States Status: Offline Points: 0 |
![]() ![]() ![]() ![]() ![]() |
||
*Quote from Grant (aka Hits Man)*
I have done a few ABC/Dunhill needledrops that sound like they could have come from tape. It's not that hard. *end of quote* Grant, I am genuinely happy that you continue to be so ultra-impressed, year after year, with the quality of your own audio results. But why on earth do you feel the need to "re-post/re-congratulate" yourself every time the release of a new CD mastered by either Aaron or Mark is announced? Mark Mathews and Aaron Kannowski both have multiple CD mastering credits. On legitimate CDs. Their work has been praised by most everyone. They've been paid for their efforts. And they are both respected by their fellow industry professionals, as doing incredibly good work. Yet for years you've posted, both here and elsewhere, as if you are a "peer audio pro" of theirs. As if you, too, have mastered CDs I own. You doing this frequently has always baffled the heck out of me. Why? This could be my bad, so allow me to give you the benefit of the doubt. Have I missed the CDs that you have personally mastered and submitted to the reissue labels? If so, please let me know, so I can go buy it, and fairly evaluate your published mastering efforts. Almost all of us on the forum have dubbed some of our favorite vinyl 45s, for our own use. And a good number of us old radio guys, myself included, have used high-quality tapes to dub for airplay. That said, while I'm happy with my own results, I don't consider anything I've ever done to be in the same universe as either Mark and/or Aaron's amazing work. Even though I was trained on and had use of top-of-the-line, professional production facilities for 30 years. They possess a special gift that I do not. Grant, all I'm saying is that I don't know of any actual pro audio CD mastering work on your resume. And without such experience, I don't feel any of your personal audio evaluations have any more (or less) authority/weight behind them than the opinions of 99% of us here on the board do. (Mark & Aaron are obviously excluded.) We all buy lots of CDs, and we all want them to sound as good as possible. Pat has always provided a notation if a CD has a glitch, "no fidelity", or the like. However, I have never posted on T4MOC about how good or bad I think my own vinyl dubs are. No matter the song or group. Why? Because 1) no one else cares, and 2) it honestly adds nothing to the forum discussion, does it? Edited by jimct |
|||
![]() |
Post Reply ![]() |
Page 123 5> |
Tweet |
Forum Jump | Forum Permissions ![]() You cannot post new topics in this forum You cannot reply to topics in this forum You cannot delete your posts in this forum You cannot edit your posts in this forum You cannot create polls in this forum You cannot vote in polls in this forum |