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Michael Jackson - the 45 versions on CD

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waldo View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote waldo Quote  Post ReplyReply Direct Link To This Post Posted: 26 March 2008 at 8:39am
bad news.. bad news.. bad news.. MIXED ISSUES

you won't believe this.. but Sony Japan have frigging messed up the 'Thriller 25 singles box set'... BIG TIME.. i'm so pissed off right now i want to throw the wretched thing against a wall. i think this was the last chance to get the correct 45 mixes.. if the Japanese can't issue them right then there is no hope.

three singles are correct:

The Girl Is Mine b/w Can't Get Outta The Rain
Billie Jean b/w It's The Falling In Love
P.Y.T. b/w Working Day And Night (1981 Live version)

but 4!!! wrong

Beat It b/w Get On the Floor

Beat It = is the normal album version.. the single faded two or three spilt seconds earlier..

Get On The Floor = is not the correct version.. on the original 45 they used the original 1979 Off The Wall album version not the 1980 remixed updated version with the completely different rhythm guitar added.

Wanna Be Startin' Somethin' b/w Instrumental

Wanna Be Startin' Somethin' = is not the correct verison.. it clocks in at the correct 45 time.. but you can clearly here that stupid monkey-like sound effect on the start of the line "Billie Jean is always talkin'"

the instrumental is fine

Human Nature b/w Baby Be Mine

i really really really hoped they would get this one right.. no such thing... they didn't!

Human Nature = is the album version clocked at the 45 time but with the regular instrumentation on the bridge.

Thriller b/w Things I Do For You (1981 Live version)

Thriller is that stupid 4:37 edit that bizzarely included just one verse of the Vincent Price rap.. out of all the 4 different edits this one was the worst and to my knowledge was never issued as a 45 anywhere!!
it first appeared on the 1992 UK Tour Souvenir CD set.

i'm seriously thinking of sending mine back.. and emailing Sony we AGAIN have incorrect mix issues.
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Brian W. View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Brian W. Quote  Post ReplyReply Direct Link To This Post Posted: 26 March 2008 at 7:11pm
Wow, that truly sucks, Waldo. It's absolutely disgusting. But it's worth it for me for the live versions and the "Wanna Be" instrumental.

I've already got the proper single version of Human Nature, Thriller, and the original album version of Get on the Floor, so those aren't that big of a deal to me.

I was hoping for the true 45 version of "Wanna Be," but it truly looks now like it will NEVER be issued on CD.

But you're incorrect about the 4:37 edit of Thriller -- it was the commercial single version in most world.

But how is the sound -- is it the typical compressed/maximized sound of the recent "Thriller" CD?
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Todd Ireland View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Todd Ireland Quote  Post ReplyReply Direct Link To This Post Posted: 28 March 2008 at 8:22pm
I feel your pain, guys. I honestly don't understand why no one can seem to get the single versions issued on CD . I can't believe the Japanese Thriller 25 box set release couldn't even get it right.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote aaronk Quote  Post ReplyReply Direct Link To This Post Posted: 28 March 2008 at 9:15pm
It actually doesn't surprise me at all. Didn't someone on the Board previously report that even the Japanese pressing of Essential had the same butchered edits as the US version? They probably pulled some of those tracks right off that disc. It's much less work for the engineers, and let's face it, most folks are not nearly as particular and anal as we are, Sony's sound engineers included.
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Todd Ireland View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Todd Ireland Quote  Post ReplyReply Direct Link To This Post Posted: 29 March 2008 at 7:37am
With a CD release like Michael Jackson's Essential geared to appeal more to casual listeners who want nothing but the hits, I agree that most consumers wouldn't notice, much less even care, that the incorrect single mixes were used on that particular release. But in the case of a limited edition collection like this new Japanese box set, which is being marketed with the selling point that painstaking care was used to exactly replicate the seven commercial single releases from Thriller, isn't the primary target audience supposed to be "particular and anal" collectors like us? Let's face it, pretty much the only folks who are going to pay the big bucks for a set like this are hardcore Michael Jackson fans and Top 40/Hot 100 completists. How do the audio engineers figure such a specialized audience isn't going to notice the fact that incorrect single versions were used here?

Japanese audio engineers are known for their careful attention to detail and precision. That leads me to think that if not even they are using the correct single mixes, then those mixes may be lost or destroyed. Either that, or someone has possession of them who for some reason is not interested in letting them see the light of day again on CD.

Edited by Todd Ireland
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aaronk View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote aaronk Quote  Post ReplyReply Direct Link To This Post Posted: 29 March 2008 at 8:28pm
You might be right, Paul; however, I still think it comes down to someone not wanting to put much effort into it. While it is marketed to a much more elite group of collectors, I think even most of those collectors either can't tell the difference or don't know which differences they are looking for. I, for one, wouldn't have known about TONS of incorrect versions, had it not been for this forum. They are probably banking on the fact that even 99% of the elite group who would buy a limited set probably won't know the difference. Maybe the engineers don't even know the difference!

Exactly how much work does it take to obtain a dub from a master tape, even if you have it in your possession? We are talking about tapes that are 25 years old. Is it possible that some of them are old and brittle and cannot be played without going through a long, involved process? If that is the case, how much easier would it be for an engineer to take a readily available version on CD and just edit it down on his laptop?

While it is possible that these tapes are "lost," I highly doubt it. If they can dig up the instrumentals, live tracks, demos, and b-sides, surely those singles masters are available, too. It's probably just a lot more work to transfer it from the tape than it is to use a CD source. Perhaps someone with insider info on how all that works can shed some light.

Edited by aaronk
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Brian W. View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Brian W. Quote  Post ReplyReply Direct Link To This Post Posted: 29 March 2008 at 11:49pm
Here's my opinion of what probably happened:

When "Essential" was done, new 45 edits were created for the songs in question using the album masters. Whoever did this didn't know or didn't care that they were not the correct mixes. I know Michael Palmaccio, who mastered "Essential," did not create these edits -- he told me so himself. (He was kind enough to call me on the phone after I sent him an angry letter after "Essential" was released.)

So now Sony has in its vaults incorrect digital masters mislabeled "single edit," and any new engineer that comes along is going to think those are the real deal.

I would assume that's what happened, but I don't know. But I was glad to have the instrumental for "Wanna Be" and the two live B-sides. They do sound to me like they were taken from tape sources, though of course they're still the typical loud/compressed sound of recent CD releases.

Edited by Brian W.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote aaronk Quote  Post ReplyReply Direct Link To This Post Posted: 30 March 2008 at 5:09am
Brian, you have a very good point, and you're probably correct. The question remains: How did those bogus edits get there in the first place? My speculation remains the same in that someone didn't want to (or didn't have time to) put forth the required effort to locate the right tapes or transfer them from the tapes. I'd still love to know how that whole process works.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Underground Dub Quote  Post ReplyReply Direct Link To This Post Posted: 30 March 2008 at 10:31am
The same was done for the Eurythmics Ultimate Collection CD. They remastered the albums, and instead of going back and remastering the single versions for a tie-in greatest hits collection, they attempted to recreate edits from the new album remasters. Few of them are 100% correct.

Given that MJ's catalog was also remastered within this decade, I assume the same was done for his Essential set. I believe the Eurythmics disc came out through Sony as well.

Edited by Underground Dub
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waldo View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote waldo Quote  Post ReplyReply Direct Link To This Post Posted: 31 March 2008 at 8:31am
Originally posted by Brian W. Brian W. wrote:

But you're incorrect about the 4:37 edit of Thriller -- it was the commercial single version in most world.



thanks Brian, i stand corrected. that is the correct 45 mix issued in Japan.. was the short 45 version only pressed for the USA then?

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